Recently while reading a post about steel windows from one of my favorite blogs,
. Hopes has been making steel windows since 1912 and is known as the 'go-to' company for metal doors & windows with that slim profile everyone loves.
used them in his own house, a convereted warehouse in NJ, seen above.
One of the local firms here in DC,
McInturff Architects, has used Hopes in a number of projects. This rowhouse above is a nice surprise for traditional DC, modern!
Another house in DC by the same architect had this beautiful black and white scheme, which the windows help along. The steel windows are beautiful, but they make the focus the views; one of the reasons architects love steel windows with slim profiles!
Yet another McInturff project, this one in VA which features Hopes in this round bay - again, all about the view!
The steel is sturdy enough to hold large panes of glass, this apt by
Frederick Phillips and Associates in Tower House gives the room the outdoor /indoor quality that modernists love.
The view from this project in Colorado was incredibly important. Look at that setting!
The house is by
Abramson Teiger Architects; you can see the kitchen above. I think the red frames help warm up the room in the snowy climate.
Not everything has to be modern though, in fact I normally think of a certain type of classical design popular in the early 20th century (well, that and warehouses!). The project above is in CA by Jesse Castaneda, a former employee of Michael Graves.
Even more traditional are these french doors in a project by
Grunsfeld Shafter Architects in Illinois.
Steel windows work especially well with Mediterranean styles, as seen in this 1920s house in Palm Beach renovated by
EBTA architects. I'll have steel windows in my dream house, how about you?
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Do you have a favorite house in your neighborhood? Maybe it's one you've never even been in but you always look at it longingly? This townhouse up the street has always intrigued me. I think I can honestly say it's my favorite house in Dupont Circle in this case. A bit quirky, the style doesn't really fit in with the stereotypical red brick Victorian rowhouses nor with the grand beaux arts mansions in this area. Instead -it combines the best features of both!
The plaque near the door says that it was built in the early 20th century for a local architect -HIS dream house: No wonder I have such a connection with it! Grand but not large with a beautiful garden to welcome you, I can only imagine how beautiful the insides is! Sometimes the mystery is the best part -I can conjur up my dream interiors to match the exterior!
Label:
Architect,
DC,
Washington
This past weekend I visited 
I was drawn to the museum for the 
Here you can see the original structure, a 1897 Georgian revival townhouse which was Duncan's home. After the deaths of his father & brother, Duncan and his mother dedicated the collection to their memory. In 1930 the collection was becoming so large that they moved out of the house and devoted it entirely to the museum.
Above is a work by Paul Gaugin -I just love the colors and besides, the meal just looks delicious. At the top of the post is of course 'Luncheon of the boating party' by Pierre-Auguste Renoir(1880-1881) which Duncan purchased in 1923 -the museum's most well known painting to this day but surely not its finest.
A painting by Chagall (my favorite artist).
A party pavilion idea that I got from a recent party by Mary Mcdonald.
travel sketches
an idea for a house sketched on the subway
a field survey with measurements
A doorway in a house museum sketched quickly while I tried to walk along with the group!
a little seaside cottage idea
idealized sketch of garden & conservatory from a recent magazine.
Idea for a dressing room closet system
chair designs
weird axonometric drawing of a neoclassical house - worms eye view I suppose
plan of a NY penthouse apartment
The difference between good home design and average is all in the details. I was reminded of this recently by a book released by House Beautiful appropriately entitled 'It's all in the details'. The little bed nook seen at the top took a lot of care in detail drawings and planning -reminicent of the bed nooks seen in Europe so often in the 18th century. Don't you just want to curl up there, I do?! A detail like this is what probably made the home owners love their house!
This beautiful staircase with a chippendale style banister, photographed by Grey Crawford, graces the cover and is what really drew me into the book. So much more interesting to a minimalist room like this than if the architect had chosen an equally simple railing.
This room also features some beautifully minimal wood bookcases that match the craftsmanship of the staircase. (That is a mirrored fireplace screen in the lower right hand corner -I had to stare at it for about a minute to realize what it was!)
A modern day version of a french country house, the classic proportions are there, along with the wood and stone finishes but done in a more simple style that lets you appreciate the good bones.
This graceful stair would not seem half as grand without the bronze railing. The space is further amplified through the traditional use of stone and classical furnishings. What details initially drew you to your home?
I think it's been too long since my last 'house tour' -so todays tour is courtesy of the July/August 1986 issue of 'The World of Interiors' magazine: Grimesthorpe Castle. Grimesthorpe is the last house worked on by the amateur architect, Sir John Vanbrugh although the roots of the house date back to the 13th century. Come on in!
We start in 'Vanbrugh's Hall' which has always been used as the houses sitting room. Not exactly a cozy place to curl up with a book, but impressive, isn't it? The house's decoration, circa 1986, was by the Lady of the house starting in 1951, Lady Ancaster (cousin of Nancy Lancaster) and John Fowler.
My favorite parts of these grand estates are always the hallways -odd, huh? I love how they are an impressive space to guide guests (and residents) from room to room through a gallery of sorts. Natural light is a big help too!
I'm sure the Chinese Drawing room will be your cup of tea. The furniture was brought from Florence to the house in 1844. John Fowler had wanted to paint the dado white, but Lady Ancaster insisted on keeping it black - I think it gives the room a more exotic feel. Isn't the wallpaper wonderful? The tea table is Chippendale.
Another room with wonderful wallpaper is 'the bird cage room' - suitably named! Housed in a tower dating from the 13th century, Lady Ancaster insisted on covering the floor with rush matting. This became quite popular with country houses all over GB following this. The 'wallpaper' actually consists only of the birds and flowers, all seperate and pasted to the walls. The foliage was then painted in, connecting the scene. The birds on the ceiling were added by Lady Ancaster from a packet of 'spares' found on the estate.
My favorite room though, is probably the Tapestry Room. The tapestries lining the room were all done by inhabitants of the house, mostly all men! Here again you see the rush matting.
In this corner view of the tapestry room, you can see the latticework pilasters that surround the bay windows.
The state dining room is incredibly large! I don't know enough people to seat here! The light fixtures come from the old House of Lords. 
The bedrooms are no less impressive. The bed in this room was a gift from King Charles I.
In another bedroom, seen below, the bed again has kingly associations -the canopy once hung over King George IV's throne. 
In a corner of the room is a very pretty dressing table set with items belonging to a former resident, Nancy, Lady Astor.
I hope you enjoyed the tour!
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