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Exotic Taste: Orientalist Interiors

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Debuting this fall, along with a score of other delightful books, is "Exotic Taste: Orientalist Interiors" by Emmanuelle Gaillard from The Vendome Press.

Filled with incredible photography primarily by Marc Walters, the book showcases the love of exotic Eastern influences which began to inspire the Western world nearly 400 years ago.Orientalism came into fashion primarily in the 18th and 19th centuries when Western architects tired of the dominance of classicism and people longed for an escape from the everyday. Often times only a room was decorated in an exotic style to showcase a collection of porcelains or lacquerware, but occasionally you would see the emergence of a complete project, such as the Prince Regent's Chinese Inspired Royal Pavilion, seen below.

The book covers these and more, including art, fashion and the people it mesmerized such as Mark Twain, Russian Empress Catherine and Marie Antoinette's mother, Empress Maria Theresa (her own study seen in the top image).

Be sure to add this book to your Christmas wish list!
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Townsend Mansion

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Recently I attended an alumni event at the Cosmos Club which is housed in the old Townsend Mansion.This mansion along embassy row has long been one of my favorite stately Beaux Arts houses of DC, designed by renowned architects Carrere and Hastings and finished in 1901. Fittingly enough, John M. Carrere had been a member of the Cosmos Club from 1905 until his death in 1911.A true townhouse, the design is a piano nobile, with the primary rooms on the second floor, further away from street noise and dust. After entering the grand foyer seen above, you ascend into a grand hall, reminiscent of the great halls of stately country manors, large enough to double as an entertaining space.This is the staircase today on the 2nd floor. The configuration has changed a bit from the original with the parlor now serving as entry hall and the doorways into the hall and small parlor being closed.The parlor has not changed much and is the most beautiful room in the house.Rather than art hung on the walls (with the exception of the portrait above the mantel), they are painted with beautiful murals with the delicate plasterwork painted white.You can see how impressive this room is, but not over scaled for the size of the house.Fascinating to see the workings of a private club with piles of daily newspapers on this table.This doorway leads you to the main hall.Loved this bust of Benjamin Franklin and you can see a bit of detailing in the murals.Adjacent to the parlor is the 'small parlor' decorated in more of an Empire style.As you can see, this room hasn't changed much either. The damask wall hangings have been replaced with plain painted plaster.Based on the photographs, a lot of the furnishings are from the original owner, Mary Scott Townsend, although used in different areas of the house.This table was originally in the library, next door.Mrs. Townsend lived in the mansion until her death in 1931 when her daughter and husband moved in, Mathilde & B. Sumner Welles. During WWII, the house was leased to the Canadian Women's army corps and was later sold to the Cosmos Club in 1950 for only $364,635 (after they had been paid $1,000,000 for their previous space - smart financial move). The club has taken immaculate care of the house and continues to do so. In 1973 it was added to the National Register of Historic Places.Here you see the library in Mrs. Townsend's time. It has had some changes, many years ago to my eye as they feel residential, probably under the care of her daughter Mrs. Welles.
Here you see the table which now is in the small parlor.This original fireplace above has been replace with a much older renaissance styled chimneypiece.The intricate plaster and wood beamed ceilings are original although now painted white.Even the hall has a fireplace. The mantels found throughout the house were much deeper than any I had seen before, well over 24".Across the hall from the library is the dining room with breakfast room alcove.The room is richly paneled with a painted ceiling.









Here too the fireplace mantels have been traded out for much simpler ones which are still appropriate to the space.

On the opposite side of the room from the fireplace is a built-in marble server, matching the mantel.Here you begin to see the ornate ceiling decoration. The recessed lights are obviously not original and clearly unfortunate. A detail of the beautiful paneling.The Cosmos Club has expanded far beyond the original building through numerous additions and also acquiring adjacent properties. The dining room has become an internal room now and this walkway goes past the breakfast room bay.The hall is artfully treated as a conservatory which I feel respects the original house.The ballroom on the plan above is currently being renovated so I was unable to get a picture, but here is one from Mrs. Townsend's time.The bedrooms upstairs were no less grand or less sumptuously detailed than the main rooms below.At the end of the hall is entry to the garden which is still a beautiful place; the sound of trickling water from the fountain drowns out noise from passing traffic. Originally designed by Frederick Law Olmstead Jr, the gardens have been substantially altered.
















All historic photos from the Library of Congress: color photos are from my cellphone camera.
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Sag Harbor's Old Whalers Church

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I'm back from a long weekend spent in the Hamptons and while I organize my photos and unpack, I wanted to leave you with an amazing church I saw in Sag Harbor: The Old Whalers Church. Designed by Minard LaFever in 1840, the building incorporates the then popular Greek revival style with the unusual and quirky Egyptian Revival Style. The original 185 foot tall steeple blew down in the hurricane of 1938 but they hope to rebuild it at some point. I saw this church on a small street in the center of town and it literally took my breath away! Can you blame me?

historic photo courtesy of cardcow.com As always -the other is my own.
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Neoclassical detail

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Since we're on the subject, I wanted to share some more of the Neoclassic collections at the Getty. This lovely cabinet was almost architectural in its' detailing.

This Bed from 1775, a Lit a la Polonaise, would make any little girl's heart scream with desire (and it may do the same to mine, but I won't admit to it publicly).

This gilded settee reminds me of one from the aging courtesan's apartment in my favorite movie, Gigi; just made for a canoodle.

Of course, the Neoclassical style was sometimes severe and imposing but always beautiful -such as in this tableux above. I love the touch of whimsy in the chandelier though; it once had a gold fish swimming around the lower bowl. Neoclassisicm isn't all seriousness, it's all in the details!
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Neoclassical Paneling

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Rounding out the collection of rooms at the Getty is the Neoclassical style (possibly my favorite). Together, these styles make up the collection of decorative arts at the museum.

The highlight of the Neoclassical collections is a paneled room designed by the famous Parisian architect Claude-Nicholas Ledoux. Designed for the house of a wealthy plantation owner from Santo Domingo as a Parisian base, the paneling entered American hands after demolition of the Ledoux designed complex in the late 19th century.

You can clearly see the emphasis on ancient Greek and Roman design of the Neoclassical movement, born out of the rediscovery of ancient Pompeii and Herculaneum. This was a direct and contrary response to the fluidity of the previously popular Rococo style (again, you see this following the political climate of a populace fighting against their ancient aristocracy during the age of enlightenment).

The details in this room are simply amazing and I love all of the mirrored surfaces. Hopefully now you can see why I love the Getty so much, and not just for the gorgeous Richard Meier designed campus!
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Baroque Interiors

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Before the Rococo, there was the excessive and sometimes heavy baroque style, popular in the late 17th century and in France, associated with Louis XIV (whose bust appears in the overmantel above). The room seen here is another period room found at the Getty Museum.


Meant to impress, the style is excessively styled with every surface taken into consideration for ornament. Unlike the rococo which was meant to be fun by focussing on light and elegance, the baroque was meant to impress (much like Louis's political regime).

The inlaid ebony writing table above was actually in the inventory of Versailles in the king's mistresses' small palace, the Trianon de Porcelaine (Madame de Montespan). I'm in love with that Japaned box and gilded stand in the window!

Notice the parquet de Versailles flooring in the room, also alluding to the regime. This begs the question, if it isn't baroque, should one fix it? (sorry, I couldn't resist!)
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