Glass hood

Did you notice this glass hood from the May 2010 issue of the World of Interiors? Obviously architect designed (why ARE we architects obsessed with straight lines?), Lina Bo Bardi created the hood for her kitchen in Sao Paulo, Brazil, The Glass House. While not sure it's the MOST practical, I really love it. Just keep a supply of windex handy! What do you think? Could you do the glass box hood in your kitchen?
Photograph by Matthieu Salvaing

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ArchitectDesign interview

Check out my interview by Samantha on We Love DC for some of my thoughts on architecture in DC.

Thanks for the opportunity, Sam! Check out her blog, Pretty Lovely Things.

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Fonthill's garage

For the last installment on Henry Chapman Mercer's masterpieces, I've saved my favorite project of his which most articles don't even recognize: the garage of his home, Fonthill. Thats not Rapunzel's tower above, it's Mercer's garage!

This small building contains just as many details and even more surprises than any of his other buildings. The rough stone walls you see above (below the arched windows) are actually leftover from an old farm building. As mentioned, Mercer was very frugal and used everything he could as efficiently as possible. Why waste concrete when walls were already standing: Just build directly on top of them!

The downstairs houses a garage while upstairs is a large open room for entertaining called the 'Summer Parlor' with an adjoining terrace. The parlor has a blue ceiling with tiles that show the seasons of harvest and also the four winds. Of course the winds are directionally correct and ever a true Harvard scholar, the names are in Latin. Access to the parlor and terrace is via a charming outdoor staircase. I think this most closely resembles his German castle inspirations.

The building has a square fire pit about 28” high and 6’ square which Mercer put 8” square holes around the sides to experiment with a different way of firing tiles. He was always experimenting for his business, even in his garage!

Today the parlor and terrace are used for cocktail parties, weddings, birthday parties or business meetings; Rentals are the mainstay of many house museums anymore. Blogger convention anyone?

The garage itself now houses bathrooms, a kitchenette and a craft room for children’s programs. This downstairs is very plain and unornamented as a garage should be. Curiously, Mercer never actually owned a car or even buggy but still built this garage which he ended up using for storage. This window into the garage shows a typical wood sash window, painted red, with an arched transom of poured concrete above. Who thinks of these things? So unique!The punched openings in the exterior stairwalls are an unexpected place for a bit of color: Moravian tiles of course!

In addition to preserving antique tools and artifacts, Mercer was also interested in preserving natural history. Concrete bird houses were constructed on the roof of the garage, seen above, that he hoped would become a bird sanctuary. He planted 80 different species of trees native to Pennsylvania throughout the grounds and encouraged people to visit and explore: even creating tags for the trees at his tile factory (which are still available for purchase).

Again I encourage everyone to visit Doylestown, Pennsylvania: Fonthill, the Mercer Museum and the Moravian Pottery and Tile Works; You won't be disappointed. What I've shown in this series of posts is only the tip of the iceberg; they're a national treasure!

Thanks again to Kelly who also helped me gather much of the information for this post.

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Fonthill Interiors

The interiors of Fonthill are probably even more fascinating than the exterior; they were the driving force behind the architecture afterall! Above you see some of the remaining color in one of the bathrooms. Originally the house was filled with many bright and pastel colors (some might say garish). Mercer was a collector of many things, including prints, which are displayed everywhere he could find wallspace including over the sink!

Tiles by the Moravian Tile works are found everywhere - floors, ceilings and fireplaces. Mercer used the house as his laboratory and tile museum, bringing potential clients to see different examples and even allowing them to stay overnight. I especially love these tiles set into concrete on this chimney breast; Mercer was inspired by 16th century Italian fabric in this instance. Notice the Wedgwood Portland vase on the upper left-hand shelf.

In Mercer's private study, you can see how much the room was used. The leather on the sofa is worn OUT, which I love to see. Books line this room (as elsewhere) as do ancient pottery examples sourced from all over the world. The wood paneling was reclaimed from many sources, much of it from old doors; Mercer was nothing if not resourceful. This was one of the few rooms with wood flooring and where he would have spent much of his time; amazing views out the huge corner windows of the garden.

The Columbus room was dedicated to the discovery of the New World and the tiles are all about this event. The tiles were set into the concrete formwork as the ceiling was being poured and were not applied afterwards; an innovative technique!

The interior photographs are by Bjorn Wallander and were featured in the Sept. 2007 Martha Stewart Living magazine. Thanks to Kathy of Hearth and Hedgerow Ltd. for helping me gather some information. Check out her blog!

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